Memories of a century at Leeds

Chuck Witt recalls films, Saturday crowds, and enduring theater traditions

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Estimated time to read:

4–5 minutes
Leeds Center for the Arts looks good after 101 years!
Leeds Center for the Arts looks good after 101 years! Last week­end, a crowd milled about on the street fol­low­ing the pre­mière of “Shrek: The Musical” at the his­toric theater. 

Leeds Center for the Arts, the great Winchester enter­tain­ment venue, cel­e­brat­ed its 100th anniver­sary last year and con­tin­ues to regale the com­mu­ni­ty with fan­tas­tic events like the cur­rent show Shrek, The Musical. 

It’s inter­est­ing that the the­ater opened just one year before that oth­er great Winchester insti­tu­tion, Ale-8-One®, came to market. 

The the­ater has been a Winchester scene only a few more years than me, and I began think­ing of the mem­o­rable times that I had there. 

My first mem­o­ry of see­ing a film in Leeds was the 1946 movie The Beast with Five Fingers. I was six and attend­ed with my sis­ter, who was three years old­er. Thinking back on it, it may seem some­what odd today that a six-year-old would be view­ing a hor­ror movie. At the time, movies were not rat­ed on the sys­tem as they are today, even though a sys­tem exist­ed for cen­sor­ing movies before release. Such cen­sor­ship was applied almost uni­ver­sal­ly to sex­u­al­ly explic­it con­tent and “cussin’.” 

The movie-going nation was hor­ri­fied when Clark Gable uttered the word “damn” in the Gone with the Wind scene with Scarlett. 

In 1951, I went alone to view The Thing From Another World. I had to go after school because I real­ly loved sci-fi movies, but this one was play­ing dur­ing the week and would not be avail­able to see on a week­end. It was win­ter and sun­set came ear­ly — and the movie didn’t start until about 3 p.m. 

My favorite seat was about halfway down on the left side, just under the front of the bal­cony. The black-and-white movie was a bit scary from the very begin­ning, when an Arctic sci­en­tif­ic crew first finds a space­ship buried under the ice. The accom­pa­ny­ing music real­ly made the scene more eerie. 

But about halfway into the movie, the lead actor, played by Kenneth Tobey, opens a door only to con­front The Thing, played by James Arness. 

The scene was so intense that I gin­ger­ly moved from my halfway-down seat back to the last row of the the­ater where I could also glance out through the lob­by and watch as the day end­ed. I had to walk home alone, and this movie made me not want to do so in the dark, so I made a hasty retreat as soon as the movie end­ed, with day­light waning. 

James Arness as 'The Thing' in the 1951 film "The Thing from Another World," which was one of many movies shown at Leeds Theater over its early run as a cinema before being transformed into Leeds Center for the Arts.
James Arness as ‘The Thing’ in the 1951 film “The Thing from Another World,” which was one of many movies shown at Leeds Theater over its ear­ly run as a cin­e­ma before being trans­formed into Leeds Center for the Arts. (Internet Movie Database)

All through the 40s and 50s, Saturdays were usu­al­ly the busiest the­ater days. Not only were all the kids out of school, but many farm­ers were in town on Saturdays, often unload­ing their kids at the the­ater while they con­duct­ed busi­ness elsewhere.in town. 

And Saturdays were filled with movies tar­get­ing the young crowd: Abbott and Costello (and then Abbott and Costello meet the Wolfman, Dracula, Frankenstein or the Invisible Man), the Bowery Boys, Dagwood and Blondie or, quite often, Saturday “shootouts” to deter­mine whether Roy Rogers or Gene Autry was the most popular. 

The long­time man­ag­er of the the­ater was Mr. Frazee, a nice man who nonethe­less ran a “tight ship.” 

I don’t recall the name of the lady who sold tick­ets at the out­side booth, but she must have known every kid and how old each was. Up until age 12, a kid could get in for 15 cents. It was a quar­ter after that. I man­aged to get in a cou­ple of times after turn­ing 12 for 15 cents, but she final­ly asked me one day if I wasn’t 12 yet. I was a pret­ty hon­est kid, and I admit­ted that I was. 

In the 40s and 50s, it was com­mon for the Saturday fare to include a car­toon, a news­reel, and a dou­ble fea­ture. And once you were in the the­ater, you could stay and watch the movies as long as you want­ed. I always thought it was quite amaz­ing how news­reels could be so cur­rent; they depict­ed events just days after they occurred, and since this was before wide­spread tele­vi­sion, the movie news­reels were the best way to stay cur­rent oth­er than radio newscasts. 

In 1969, a British movie titled Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? was shown. As you might judge from the title, it was a com­e­dy. But two local min­is­ters sought to have the film removed because of a sin­gle under­wa­ter scene in which a cou­ple was seen swim­ming in the nude. 

I think the effort only served to make the movie more popular. 

While I have enjoyed numer­ous oth­er events in Leeds since its ren­o­va­tion, per­haps the most mem­o­rable lat­er one for me was the oppor­tu­ni­ty to see The Kingston Trio live a num­ber of years ago. 

I have been — and remain — a faith­ful fan of the group, and see­ing them in per­son, even though only one was from the orig­i­nal group, was a great joy. Their music lingers. 

Leeds has many years ahead of it and many great events to bring plea­sure to Winchester.  I can only hope that the gen­er­a­tions that fol­low will have as many fond mem­o­ries of the place as I do. 

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