A look back at Tim Burton’s cult-classic biopic

How 'Ed Wood' reimagines the life of Hollywood’s most infamous outsider director

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Estimated time to read:

7–10 minutes
Movie advertisement: "Ed Wood"
Movie adver­tise­ment: “Ed Wood”

Ed Wood, a film by well-known direc­tor Tim Burton, is a quirky com­e­dy and biopic of anoth­er infa­mous film­mak­er, Edward D. Wood Jr. Ed Wood earned his rep­u­ta­tion pri­mar­i­ly in the 1950s with a series of sci­ence fic­tion, crime and hor­ror movies.

Edward Davis Wood Jr. was born 10 October 1924 and died on December 10, 1978. He grew up in Poughkeepsie, NY and joined the Marines in 1943 dur­ing World War II. He served in the South Pacific and at one point served in an intel­li­gence unit. He received mul­ti­ple wounds and, dis­charged in 1944, was award­ed the Silver and Bronze Stars, two Purple Hearts and a Sharpshooter’s Medal.

Reel Classics

After his mil­i­tary ser­vice, he even­tu­al­ly moved to Los Angeles where he hoped to real­ize a dream to cre­ate films. He strug­gled to make a go of it in Hollywood until 1952 when he was able to make his first film. 

In fact, he wrote, direct­ed and starred in the film Glen or Glenda. A key to his oppor­tu­ni­ty to make this film was his recent acquain­tance and bud­ding rela­tion­ship with a strug­gling actor, Bela Lugosi. Lugosi had been active­ly involved in films in the 1930s and 1940s, but was strug­gling in the 1950s. Wood con­vinced the pro­duc­er to have Lugosi in the film and use his name to draw peo­ple to the film. Lugosi played a mad doctor.

The film revealed insight into Ed Wood as well. The sto­ry was about a man who believed he was a woman and under­went surgery. Though Ed Wood was het­ero­sex­u­al, he had been a cross-dress­er for years. He told the sto­ry of wear­ing a bra and panties under his uni­form while in bat­tle in the South Pacific. He also pro­fessed a fond­ness for angora.

Unfortunately for Wood and the pro­duc­er of the film, it did not do well at the box office. In fact, it high­light­ed the dif­fi­cul­ties that would con­tin­ue to appear in Ed Wood’s sub­se­quent films — poor writ­ing, poor direc­tion, poor sets and poor per­for­mances. However, being the opti­mist that he was, Wood was con­vinced that his next film would be great.

During the fifties Wood made sev­er­al films that share a sim­i­lar fate includ­ing Jail Bait (1954), Bride of the Monster (1955) and Plan 9 from Outer Space (1957). They shared the same prob­lems that were found in Glen or Glenda and received sim­i­lar criticisms. 

He con­tin­ued to write and make var­i­ous films, but suf­fered with a grow­ing alco­hol prob­lem. In the 1960s Wood chose to focus on writ­ing. He wrote over 80 crime and sex paper­back nov­els as well as pieces for mag­a­zines and dai­ly newspapers. 

The end of his life was trag­ic as he had become a severe alco­holic, suf­fered health issues and was evict­ed from his apart­ment for not pay­ing rent three days before his death. 

His films became obscure until inter­est arose for them in the 1980s. In 1980, after his death, Wood was award­ed the Golden Turkey Award for Worst Director of All Time. This award cre­at­ed a new inter­est in his films and they are now seen as cult classics.

In 1992 a biog­ra­phy of Ed Wood, writ­ten by Rudolph Grey, was pub­lished. The title was Nightmare of Ecstasy: The Life and Art of Edward D. Wood Jr. It was from this biog­ra­phy that the screen­play was adapt­ed for our Reel Classic — Ed Wood.

Movie still: "Ed Wood"
Movie still: “Ed Wood”

Ed Wood, released in 1994, has an out­stand­ing cast. 

Johnny Depp por­trays Wood, Martin Landau is cast as Bela Lugosi, Sarah Jessica Parker and Patricia Arquette por­tray Wood’s love inter­ests Dolores Fuller and Kathy O’Hara and Bill Murray has the role of John “Bunny” Breckinridge, Ed Wood’s drag queen friend. 

The focus of the sto­ry is on the years he was involved in the mak­ing of films, essen­tial­ly 1952–1958. Wood has just met and become friends with Bela Lugosi. Lugosi is strug­gling finan­cial­ly and emo­tion­al­ly at this peri­od in his life. Wood con­vinces pro­duc­er George Weiss, known for his exploita­tion films, to hire Lugosi to bring a big name to the cast. 

It is also at this time when Wood divulges to his then girl­friend, Dolores, that he has a secret pas­sion for wear­ing wom­en’s cloth­ing. She has some dif­fi­cul­ty accept­ing this.

The film was con­sid­ered a fail­ure both at the box-office and by the crit­ics. George Weiss was no longer inter­est­ed in hav­ing Wood make any films for his studio. 

So Wood decides to seek out inde­pen­dent finan­cial back­ing. Thinking he has found a wealthy heiress, Loretta King, he offers her the lead role in the film but lat­er learns that she has no mon­ey. A wealthy busi­ness­man agrees to back the film if his son is cast as the lead. The film, Bride of the Monster, also starred Bela Lugosi. It suf­fers the same fate as Glen or Glenda — both at the box-office and with crit­ics. Dolores Fuller decides to break up with Wood.

Ed Wood is con­vinced that his next movie will be great. In the mean­time, we learn that Lugosi has entered a rehab for addic­tion to mor­phine and, while Ed Wood is vis­it­ing him there, he meets his future wife Kathy O’Hara, who is vis­it­ing her father. 

Wood works to get fund­ing for his next ven­ture from a local church and, after Lugosi’s dis­charge from the rehab cen­ter, begins to film scenes of him out­side Lugosi’s home. The cast for the next film, Plan 9 from Outer Space, will include Bela Lugosi, Vampira (a local Los Angeles TV hor­ror host), Tor Johnson (a Swedish pro­fes­sion­al wrestler), The Amazing Criswell (a psy­chic known for his inac­cu­rate pre­dic­tions) and Wood’s girl­friend’s chi­ro­prac­tor Dr. Tom Mason. 

Dr. Mason was a stand-in for Lugosi who, unfor­tu­nate­ly, died before the mak­ing of the film. Ever the opti­mist, Ed Wood was con­vinced that this would be his great­est film achieve­ment, say­ing “This is the one I’ll be remem­bered for.” 

That is like­ly very true though not nec­es­sar­i­ly for the rea­sons he had hoped.

Movie still: "Ed Wood"
Movie still: “Ed Wood”

When he was cho­sen to por­tray Bela Lugosi, Martin Landau threw him­self into research­ing Lugosi, deter­mined to por­tray his voice and man­ner­isms as faith­ful­ly as pos­si­ble. He report­ed­ly watched 35 Bela Lugosi movies and stud­ied Hungarian lan­guage tapes. 

Though he did not look like Lugosi, Landau wore make­up and spe­cial pros­thet­ic devices for his ears, chin, nose and lips to make the appear­ance more accu­rate. This effort result­ed in an Academy Award for Best Makeup. In actu­al­i­ty, Ed Wood was the win­ner of two Oscars — the sec­ond going to Martin Landau as Best Supporting Actor for his por­tray­al of Lugosi.

Martin Landau’s daugh­ter, Juliet Landau, por­trayed the not-so-rich heiress Loretta King.

The film did not achieve the suc­cess at the box office that was hoped for. It end­ed up los­ing mon­ey — earn­ing near­ly $14 mil­lion while cost­ing $18 million. 

However, the crit­ics loved the film. 

Film crit­ic Roger Ebert wrote: “What Burton has made is a film which cel­e­brates Wood more than it mocks him, and which cel­e­brates, too, the zany spir­it of the 1950s exploita­tion films, in which a great title, a has-been star, and a lurid ad cam­paign were enough to get book­ings for some of the odd­est films ever made.”

Gene Siskel described it as “a trib­ute to cre­ative pas­sion and also to friend­ship” and “one of the year’s very best.”

The crit­ic for Rolling Stone mag­a­zine wrote, “Ed Wood is Burton’s most per­son­al and provoca­tive movie to date.... Outrageously dis­joint­ed and just as out­ra­geous­ly enter­tain­ing, the pic­ture stands as a suc­cess­ful out­sider’s trib­ute to a failed kin­dred spirit.” 

The New York Times crit­ic wrote, “Depp cap­tures all the can-do opti­mism that kept Ed Wood going, thanks to an extreme­ly fun­ny abil­i­ty to look at the sil­ver lin­ing of any cloud.”

Director Tim Burton has called it one of the best films he has made. Having read the biog­ra­phy Nightmare of Ecstasy and some of Ed Wood’s let­ters, Burton said that he was impressed by how Wood “wrote about his films as if he was mak­ing Citizen Kane, you know, where­as oth­er peo­ple per­ceived them as, like, the worst movies ever.” 

He also talked of how the rela­tion­ship between Wood and Bela Lugosi impressed him, remind­ing him of his own rela­tion­ship with Vincent Price. In an inter­view Burton once stat­ed, “Meeting Vincent Price had an incred­i­ble impact on me, the same impact Ed must have felt meet­ing and work­ing with his idol.”

Movie still: "Ed Wood"
Movie still: “Ed Wood”

Roger Ebert address­es that rela­tion­ship between Wood and Lugosi: “At the heart of the movie is Wood’s friend­ship with Lugosi, a man he tru­ly adores, and who comes to depend on him. We see Lugosi alone and lone­ly in a flim­sy lit­tle tract house, inhab­it­ing the deep­en­ing gloom of his obscu­ri­ty and addic­tion (his first scene in the movie shows him try­ing on a cof­fin for size), and Wood is able to lift the gloom, if only briefly, in a final series of roles which gave him dou­ble immor­tal­i­ty: As the star of some of the best hor­ror movies ever made, and then some of the worst.”

The Internet Movie Database (IMDB) rates Ed Wood at 7.8 of 10. Rotten Tomatoes gives it a Critics’ Score of 92% and an Audience Score of 88%.

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I could find no free stream­ing sites and the Clark County Public Library does not have a copy on the shelf. They will obtain a copy if you ask.

In doing my research for this review I found that Tim Burton’s Ed Wood is now con­sid­ered to be a cult clas­sic. Interesting, isn’t it, that this par­tic­u­lar cult clas­sic is essen­tial­ly a film about the mak­er of some of the most infa­mous cult clas­sics from the 1950s.

Information for this Reel Classic review was gath­ered from sources includ­ing the IMDB, Rotten Tomatoes, Turner Classic Movies (TCM) and Wikipedia.

Ron Kibbey’s Comedy Classics

If you enjoy these clas­sic movies, please join Ron on the sec­ond Tuesday of each month at 6 PM at the Clark County Public Library for “Ron Kibbey’s Comedy Classics.”  The evening fea­tures a clas­sic com­e­dy film, usu­al­ly accom­pa­nied by a vin­tage car­toon. Popcorn and drinks are pro­vid­ed.  More infor­ma­tion about the next film is avail­able on the library’s web­site and Facebook page, as well as WinCity Voices Facebook page.

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