The memorial arch proposed for Washington, D.C., is being touted as a tribute to the semiquincentennial anniversary of the United States.
It is nothing of the sort. It is a vainglorious monument to the greatest egomaniacal president in the history of this country, a paean to his inflated narcissism. And it is being presented as a tribute to the formation of the country, while it is just a furtherance of President Trump’s attempts to transform the environment of the nation’s capital to implant his failed presidency in the minds of the people at the expense of those same individuals and the beauty of the capital.
Trump tries to create monuments to himself while he still holds office — by inscribing his name on structures such as the Kennedy Center and placing his signature on U.S. paper currency.
Of course, he will undoubtedly have a presidential library constructed after he leaves office, as have most other previous presidents, but no other former presidents have attempted to place their heritage in so obvious a manner as is underway now for Trump.
There should probably be little doubt that the new “ballroom” being constructed adjoining the White House will eventually contain his name on its entrance — if Congress permits it.
Many of our former presidents have been honored with memorials in the capital, including Washington, Lincoln, Jefferson, and Franklin Roosevelt. But all those memorials were constructed long after those presidents left office and died.
The Washington Monument was not completed until 1884, 85 years after Washington died. It might have been completed earlier, but Congress refused to appropriate funds when it was about half finished, delaying construction for many years.
The Jefferson Memorial was dedicated in 1943, 117 years following his death.
The Lincoln Memorial, probably the most visited memorial in Washington, was completed in 1922, 57 years after his assassination.
And the FDR memorial was not completed until 1997, 52 years after his death and after over 40 years of squabbling over the design (which, incidentally, was not the design approved 40 years previously).
In all cases in which former presidents were recognized for their service, the recognition came after they had either been out of office for many years or had already died.
Those monuments were a testament to the greatness of each of those presidents, evaluated years after their terms of office.
The “Arc de Trump” is being proposed for construction while he is still in office. If any memorial to him is eventually based on his service while in office, he will most likely get a miniature bronze head stored somewhere in a supply closet in the basement of the Capitol.
Previous celebrations of the birthdays of the nation, the 100th and 200th, were commemorated with nationwide celebrations, not with monuments.
Just to explain how hideous, how outlandish this proposed monument is, consider the following.
It would be over 250 feet tall — including a 60-foot gold-winged statue on top — ninety feet taller than the Arc de Triomphe in Paris. Its arched opening would be 110 feet tall, which is taller than the entire Lincoln Memorial, which stands only 99 feet tall. The gold on the topping statue is a testament to President Trump’s obsession with all things gold, just as he has drastically redecorated the White House with gold ornamentation.
As a retired architect, I am personally disgusted that an architecture firm is even responsible for the ridiculous design of this proposed débâcle, one which would, if allowed, debase the beauty of the capital city.
One can only hope that Congress will refuse to allocate any funding for this project and that whoever is responsible for allocating space for public works in the capital will not dedicate any land to its erection.
Editor’s note: After this piece was submitted, major news outlets reported that the plan for the ‘triumphal arch’ had received the initial approval of the Commission of Fine Arts.
According to MSN, “President Donald Trump’s planned triumphal arch for Washington cleared a key hurdle Thursday after its early designs secured approval from a federal arts panel whose members were handpicked by the president.
“The Commission of Fine Arts, which has a new slate after Trump fired the previous members last year, vets designs and major architectural projects in the nation’s capital. It does not have the final say on construction of the proposed arch.”

