In the golden-amber twilight of the pin-prick votives, scattered in perfectly non-random mandalas across the expanse that was Grace’s limitless office, her voice drifted to me. I felt her heat as it soaked into the back of my neck, but the sound of her came in waves, sometimes slow, and sometimes rushing, sometimes underwater, sometimes with piercing clarity, sometimes far away, but without an echo — only the diminishment of distance.
From my position, I could see the soft silhouette of her chin and the curve of her jaw where it met her ear, all framed by the impossible starlight meditation of infinite flickering mandalas. Grace lay her palm gently across my forehead, and her voice slowly disintegrated into a slow 8‑bit chaos. I faded into a blank space, then resolved into a spectral observer drawn through Max’s story as she continued…
The rubber wheels squealed in disagreement and then spun to align themselves when she pushed Max’s meal cart into place above his bed. Max had been tube fed since his intake, but sometimes Godiya would bring the mobile tray over so she could talk to Max about the collectibles or art pieces his mother had left for him.
The assortment seemed like a random menagerie on casual inspection, but Mrs. Veihl insisted that Max was very specific about the placement of his keepsakes. She was so adamant about the topic that she had even managed to convince the hospital maintenance staff to move one of the wall-mounted shelves behind Max’s bed down two inches and five inches further to the right. When Godiya asked Hank, the maintenance guy who performed the task, he told her “management okayed it,” and Godiya thought that was peculiar.
Godiya had to stretch to reach the magnifying glass that Mrs. Veihl had used a step stool to place on the highest shelf above Max’s headboard. Mrs. Veihl had insisted that it be placed handle toward the wall, with about an inch of the glass extending over the ledge. She said that Max had placed it that way because when the sun hit his window just right, the lens would cast a rainbow over his head. Twisting down from the shelf, Godiya’s braid caught a figurine of a hero from a decade-old summer blockbuster and sent it careening onto the mint green cotton weave covering Max’s torso.
“Nice one, Grace”, she whispered. “Don’t want to wake him up before breakfast is ready, do we? Sorry about that, Max”, she said, placing the figurine back on its footprint and adjusting it to reflect the light from the bleaching medical overheads in just the way Mrs. Veihl had left it.
She carefully set the eyepiece on the adjustable table over Max’s chest, then gingerly pumped the pedal for the headrest, bringing the boy to a lounging seated position facing the workspace. She hated how the orderlies who bathed Max stomped the pedal, throwing him jerkily into an upright position. Didn’t these kids have it rough enough without being treated like ragdolls? It was for that reason she had developed such a light touch with the equipment. She didn’t know if the kids could feel the difference, but she did know it made her feel better.
Max had come to her seven days ago. After his five days of “maximum hope,” when Mr. Veihl had still been comforting his wife with “Don’t worry Helen, Max will be ok. He’s a strong boy,” and ten more days of “moderate hope,” which included Mr. Veihl’s reminders that, “We just need to have faith, Helen. We just need to trust that He’s in control,” one week ago Godiya had pushed Max down the long hallway that converted him from moderately hopeful to the mostly hopeless, “It’ll be ok, Helen. We just need to remember that everything happens for a reason.”
Two days ago, Max’s dad had stopped coming to the hospital, apparently needing an early start to the “making decisions” step of the process.
Godiya was exceptionally careful when she grabbed the solid pine plank that made up the base of Max’s final art project from the fall semester before his birthday. The board was one inch thick, two feet on each side, and stained a dark mahogany brown, the color of blood mixed with clay. By itself, the platform was at least two pounds, but it was the structure of the sculpture itself that made the exhibit so heavy. The nature of the object portrayed above the violent dark footing had mystified Godiya the instant Mrs. Veihl had wheeled it in on a lunch cart and then had the object, which was much too heavy for her to lift herself, installed on the shelf above Max’s head directly in the semi-circular shadow cast by the magnifying glass.
In the seven days of Max’s stay, Mrs. Veihl had only allowed the project to be brought down on a single occasion. On Max’s second day in the LTW, she had asked Godiya to put it on Max’s table for her and handed Godiya the looking glass. Mrs. Veihl walked over to the curtain, drew back the corner, and stated that “the light looked about right.” She had motioned Godiya to the other side of the bed, pressed lightly on her shoulder to position Godiya’s head, and handed the nurse the eyepiece.
“Look,” Mrs. Veihl had whispered. “He’s still in there. Please. He tried to tell all of us.” Her delivery was flat, but her eyes were not.
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“I believe you, Mrs. Veihl. I believe they’re all still in there. My job is to help them get out, and I’m really trying, ma’am.”
Helen Veihl urged Godiya’s eyes back to the magnifying glass, then adjusted the base of the project so that the corner of the red/black platform just caught the trail of light dawning through the sliver of window exposed by the adjusted curtain.
“Please just look, Godiya. I need someone to see.”
So Godiya put her eye to the glass, and what she saw became the background in the visions populated by labored breathing sounds of ventilators and staccato beeping of heart monitors that had awakened her sick with anxiety for the last five days.

