The Night We Didn’t See Taylor Swift

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Estimated time to read:

6–9 minutes

We’re hap­py, free, con­fused, and lone­ly at the same time. ~Taylor Swift, 22

6:32 pm, before it all really fell apart
6:32 pm, before it all real­ly fell apart

Taylor Swift lit­er­al­ly saved my child’s life. I wish that was a metaphor, but it isn’t. But that par­tic­u­lar trau­ma is not one we’re ready to share yet, so here’s anoth­er story.

Much like the Wizard Birthday is eleven, the year one turns five is Music Christmas in our house. In 2010, we told Izzie she could ask Santa for any instru­ment, and he would bring it to her with lessons. We crossed our fin­gers she wouldn’t choose a piano (for where would we put it?) David prayed for the drums. I made sure it was the guitar.

Speak Now, Taylor Swift’s third stu­dio album, was released that October. For two months, I played that CD non-stop when my daugh­ter was around, remind­ing her that Taylor wrote and sang all of her own songs and she played the gui­tar (hint, hint). When Mean came on, we would scream-sing the lyrics. 

Speak Now was Izzie’s gate­way drug. She asked Santa for a gui­tar, and we start­ed lessons. My five-year-old could bare­ly hold up her half-size Yamaha. We learned a G chord. Then C. Then D. As soon as we mas­tered E minor, we knew enough to learn Teardrops on My Guitar from Taylor’s debut album.

Mastering E minor
Mastering E minor
She graduated to a full size guitar in middle school
She grad­u­at­ed to a full-size gui­tar in mid­dle school

Fast for­ward 13 years, three gui­tars, and many, many Taylor songs lat­er. We are unapolo­getic Swifties, sprin­kling lyrics into nor­mal con­ver­sa­tions, wor­ry­ing about Taylor’s love life, tag­ging each oth­er when her cats show up on the socials, throw­ing par­ties every December 13, going to bat­tle when some­one sug­gests Jake Gyllenhall be for­giv­en or — hold my ear­rings — Taylor is over­rat­ed. She’s tal­ent­ed, seem­ing­ly kind, a savvy busi­ness­woman, and a once-in-a-life­time songwriter.

When Taylor announced last year that she was going on tour, we lost our minds. The Red Tour was Izzie’s first con­cert ever. Reputation was even bet­ter. The Lover Tour was a pan­dem­ic can­cel­la­tion. So this was a home­com­ing of sorts, a full-cir­cle moment. Taylor would be show­cas­ing her favorites from every album on this so-called Eras Tour. 

For Swifties, it does not get bet­ter than this.

On November 15, I got into Ticketmaster’s online queue for tick­ets with the 1.5 mil­lion oth­er lucky fans who received ver­i­fied codes. By 10:17 a.m. the sale famous­ly descend­ed into chaos, the site crash­ing repeat­ed­ly. I spent the bet­ter part of sev­en hours try­ing to get tick­ets, to no avail. Ticketmaster’s so-called “dynam­ic pric­ing” gouged prices so high I couldn’t have afford­ed them had I been able to snag any. I was heartbroken.

And then, months lat­er, the Swiftie Gods smiled. Izzie won the tick­et lot­tery for Taylor’s May 7 show in Nashville at Nissan Stadium. 

The email that changed it all
The email that changed it all

For three months, we trained. We learned and prac­ticed every crowd shout-out. We made over 30 friend­ship bracelets with Taylor lyrics to pass out to our seat­mates (my favorite said Scooter is a Bitch). We designed our cos­tumes. Izzie sewed her own shirt, care­ful­ly hand-sewing LED fairy lights in the lin­ing to sparkle (ahem, shim­mer) all night. I mem­o­rized the entire discog­ra­phy of Gracie Abrams and Phoebe Bridgers, the open­ing acts (Izzie was already well-versed). She painstak­ing­ly made three glit­ter posters, one for each act. We stocked our clear bags like we were prep­ping for Y2K: water bot­tle, binoc­u­lars, rain pon­chos, hair bands, safe­ty pins, band-aids, and Sharpies to write Taylor’s lucky num­ber 13 on our hands. God love our hearts, we even made our very first TikTok video when we were get­ting ready (we look amazing). 

So make the friendship bracelets, take the moment and taste it (You’re On Your Own, Kid)
So make the friend­ship bracelets, take the moment, and taste it (You’re On Your Own, Kid)

To us, this was not just a con­cert. It was a whole thing.

May 7 final­ly came. As we drove toward Nashville, we sang Taylor and waved our signs at pass­ing cars. We made a pact that, what­ev­er hap­pened, we trust­ed that the night was unfurl­ing exact­ly as it was sup­posed to.

And then it unfurled, one dis­as­ter after another.

We arrived around five o’clock, rain sprin­kling enough that we donned our pon­chos. We had to take an ele­va­tor to our seats and got on the wrong one. As we exit­ed the wrong ele­va­tor in search of the right one, a secu­ri­ty guard was scream­ing for every­one to “go to the ramps! We are under an emer­gency shel­ter-in-place order! Now! Now!”

We got tuna-fished under a con­crete ramp with thou­sands of oth­er peo­ple as a storm of epic pro­por­tions engulfed us. The rain came in earnest, rain­ing side­ways, leak­ing from over­head, and flood­ing the sta­di­um. The tem­per­a­ture dropped 20 degrees in two min­utes. The light­ning flashed con­stant­ly, the thun­der so close over­head that the con­crete seemed to shake. 

We had the bad luck of get­ting stuck under the ramps, as opposed to the sec­ond floor (the “club lev­el”), where there was food, alco­hol, and bath­rooms. Those lucky fans were in the same storm, but they were not in the same boat. 

Us low­ly ram­pers? We saw one have a mas­sive pan­ic attack. Two oth­er times we were pushed aside by EMTs on their way to fans who had passed out. Security would let no one move any­where. We were cat­tle, but felt cer­tain no storm this intense would last long. But every time there was a flash of light­ning, the clock for the show start reset anoth­er 30 minutes.

For three hours, we ral­lied. Izzie and start­ed sing-alongs. We passed out bracelets. We asked peo­ple where they were from, what was their favorite song, how they felt about the breakup. 

Izzie’s posters. We asked some new friends to hold them.
Izzie’s posters. We asked some new friends to hold them.

In the fourth hour, our enthu­si­asm waned. We were still hud­dled, cold, drenched, hun­gry, and increas­ing­ly in need of a bath­room. Evidently, Nissan Stadium tweet­ed that they did expect Taylor to play at some point, but no one knew this because no one on the ramps had cell ser­vice. We just assumed the sta­di­um didn’t want any­one leav­ing in the storm because of lia­bil­i­ty. (And to be clear, I feel cer­tain it wasn’t Taylor’s call. I can’t imag­ine her man­age­ment showed her pho­tos from the ramp. They only shared the videos of the dry and well-fed fans on the club level). 

At 9:02, light­ning flashed again. Everyone around us was cer­tain the show would be resched­uled, like the fat­ed 2021 Garth Brooks show.

With tears in her eyes, Izzie admit­ted she was exhaust­ed, cold, and hun­gry, ner­vous sys­tem warn­ing signs for any­one, but espe­cial­ly some­one with OCD. She real­ized that she didn’t have it in her to sit in the rain for anoth­er three to four hours. Even for her icon.

So we left at 9:07 (10:07 accord­ing to our Kentucky body clocks), know­ing there was no re-entry. Dejected, we walked back to the car in the pour­ing rain. Had we stayed, it would have been three a.m. our time before the show end­ed. We promised to design even bet­ter cos­tumes for the make-up show. When we got to the car, with cell ser­vice restored, we found out the show was expect­ed to happen.

On Monday, we drove back to Kentucky, then moped and napped, recharg­ing our ner­vous sys­tems. We ignored most texts ask­ing us about the show and refused to get on social media to learn what amaz­ing sur­prise song we had missed. We sighed dra­mat­i­cal­ly and won­dered aloud when we could play Cornelia Street with­out crying.

But I also real­ized some­thing incred­i­ble. My daugh­ter, who has had far more dis­ap­point­ment in her young life than most (neu­ro­di­ver­gent brain, lots of wrong meds, blah blah) is one tough, resilient cook­ie. She chose her men­tal health over Taylor Swift. She knew her lim­its and was will­ing to hon­or them, even though it meant the worst FOMO she ever felt. 

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That’s badass.

Knowing that I’m send­ing her off to study music this fall — in Nashville, iron­i­cal­ly — all this left me feel­ing proud of her lev­el of self-aware­ness. And is a pow­er­ful word. Just because you’re dis­ap­point­ed doesn’t mean you’re also not right. You can feel sad and mad and relieved and hun­gry and con­fused and deter­mined and cold and excit­ed and proud simultaneously.

In October, Izzie is attending the Dark Horse Recording Academy to study Audio Engineering, Songwriting, and the Music Business. Dark Horse is where Taylor recorded her debut album.
In October, Izzie is attend­ing the Dark Horse Recording Academy to study Audio Engineering, Songwriting, and the Music Business. Dark Horse is where Taylor record­ed her debut album.

So maybe we nev­er get a do-over. I’ll still trea­sure the last three months of pre-Taylor antic­i­pa­tion I had with my baby girl.

But if, by some mir­a­cle, Taylor reads this? We’re only 75 min­utes from Paycor Stadium in Cincinnati. And we’re free. 

For her Sweet Sixteen, she asked for an electric. She named it Taylor.
For her Sweet Sixteen, she asked for an elec­tric. She named it Taylor. 

Please share this story!