Reel Classics: ‘O Brother Where Art Thou?’

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Estimated time to read:

8–12 minutes

We’ll begin today’s Reel Classic review with a recipe.  We start with the two quirky Coen broth­ers, Ethan and Joel, as direc­tors and writ­ers.  We add in the clas­sic poem The Odyssey by Homer.  Next, we stir in a bit of the 1941 film Sullivan’s Travels by Preston Sturges, add a pinch of the “Three Stooges,”  and final­ly top it off with an award win­ning sound­track.  Mix well and we serve it up—the Depression era film O Brother, Where Art Thou?

As our sto­ry begins we meet our three main char­ac­ters who are impris­oned and part of a chain gang in the deep South.  There is Pete Hogwallop (John Turturro), Delmar O’Donnell (Tim Blake Nelson), and their leader, Ulysses Everett McGill (George Clooney).  McGill has con­vinced the two men chained togeth­er with him to escape, and he will lead them to retrieve a buried trea­sure that had been hid­den at a site that is about to be flood­ed to cre­ate a lake.  With the hope of becom­ing rich, they agree to escape with him. 

They are ini­tial­ly assist­ed by a blind man dri­ving a hand­car on the rail­road tracks.  He fore­sees their future and tells them they will find for­tune, but not the one they are pur­su­ing.  They make their way to the home of Pete’s cousin Wash, who helps to break the chains and gives them food and a place to sleep.  However, he also reports them to the local sher­iff.  Sheriff Cooley and his men come after the escaped con­victs, but they again slip away with the help of Wash’s son. 

Their adven­tures take them to a bap­tism gath­er­ing on the banks of a riv­er where Pete and Delmar get bap­tized.  Their jour­ney con­tin­ues and they meet up with a young black man with a gui­tar named Tommy Johnson (Chris Thomas King).  He tells them he has sold his soul to the dev­il in exchange for being able to play the gui­tar.  Having stopped at a local radio sta­tion they learn that they can earn a few dol­lars by record­ing a song.  They present them­selves as “The Soggy Bottom Boys.”  Soon after they part ways with Tommy Johnson as they learn the Sheriff is on their trail. 

Their adven­tures lead them to a meet­ing with the gang­ster “Baby Face” Nelson and lat­er with three “sirens” wash­ing clothes in the riv­er while singing.  The beau­ti­ful “sirens” offer them some corn whiskey and it is not long before the boys are passed out.  Upon awak­en­ing, they find Pete’s clothes next to them but he is gone.  Next to his clothes is a toad and Delmar is con­vinced the “sirens” trans­formed Pete into a toad. 

The adven­tures of Everett and Delmar con­tin­ue as they meet up with a one-eyed, crooked Bible sales­man (Dan Goodman), “Big Dan,” who also hap­pens to be a mem­ber of the Ku Klux Klan along with some crooked politi­cians.  Eventually, they come to the home of Everett’s ex-wife, Penny (Holly Hunter), and he con­fess­es that there was no trea­sure.  He just want­ed to return to his wife and pre­vent her from remar­ry­ing.  They also learn that Pete was not turned into a toad, but was instead turned into the police by the “sirens.”  They arrange to help him escape.

The three stum­ble upon a KKK ral­ly and learn that the Klan is about to lynch Tommy, the gui­tar play­er they had pre­vi­ous­ly met.  They man­age to help him escape.  During these var­i­ous adven­tures, what they don’t know is that the song they record­ed at the radio sta­tion has become a big hit, and folks love “The Soggy Mountain Boys.” 

Movie still: O Brother Where Art Thou?
Movie still: O Brother Where Art Thou?

Their adven­tures con­tin­ue and include an attempt by Everett to win back his wife Penny, atten­dance at a polit­i­cal event where they are rec­og­nized by the crowd as “The Soggy Bottom Boys,” and anoth­er run-in with Sheriff Cooley, who wants the boys hanged for their deeds. 

These are not even all of the adven­tures expe­ri­enced in the film.  The film pro­ceeds almost as a col­lec­tion of episodes as the var­i­ous expe­ri­ences of the char­ac­ters unfold.  As men­tioned above, the sto­ry has some par­al­lels to the poem The Odyssey by Homer.  Homer is even list­ed in the cred­its, along with Joel and Ethan Coen, as a co-writer.  The char­ac­ters are also loose­ly based on those in the clas­sic poem.  Clooney’s char­ac­ter, Ulysses Everett McGill, rep­re­sents Odysseus (Ulysses).  Pete and Delmar rep­re­sent the sol­diers who accom­pa­nied Odysseus on his jour­ney.  “Big Dan,” the one-eyed crooked Bible sales­man, rep­re­sents the Cyclops in the poem.  Holly Hunter’s char­ac­ter, Penny, rep­re­sents Penelope, and Sheriff Cooley rep­re­sents Poseidon.  The singing women at the riv­er doing the wash­ing rep­re­sent the “Sirens” from the poem.  Their singing voic­es are dubbed by three musi­cal sirens — Emmylou Harris, Alison Krauss, and Gillian Welch. 

Interestingly, even though Homer is list­ed as a co-writer, the Coen broth­ers claimed they had nev­er read The Odyssey.  They said they were famil­iar with the sto­ry from oth­er means but had nev­er read the actu­al poem.  As men­tioned above, the film was also influ­enced by oth­er fac­tors.  The title O Brother, Where Art Thou? was tak­en from the clas­sic Preston Sturges film Sullivan’s Travels, released in 1941.  That sto­ry was also set dur­ing the Depression and is about a direc­tor who wants to make a film that will be a “com­men­tary on mod­ern con­di­tions, stark real­ism, and the prob­lems that con­front the aver­age man.”  The direc­tor was going to call his film O Brother, Where Art Thou?, and sets out to expe­ri­ence the plight of “the aver­age man.”

The inter­play between the three main char­ac­ters has, at times, a bit of “goofi­ness” in it.   Joel Coen was quot­ed as say­ing the film is “a Three Stooges movie in a lot of ways.”  One of the film’s most notable attrib­ut­es is its music.  In the movie, you will find trib­utes to the music of the times.  There is a diverse range of reli­gious music, includ­ing Primitive Baptist and African-American gospel, Delta blues, coun­try, swing, and blue­grass.  The music was meant to be a major part of the film from the out­set.  Producer and musi­cian T Bone Burnett was engaged to work on the sound­track while the Coens were work­ing on the script.  The sound­track for the film was record­ed before the movie was filmed.  Musicians con­tribut­ing to the sound­track (and some dub­bing vocals for the per­form­ers) includ­ed Ralph Stanley, John Hartford, Norman Blake, and Dan Tyminski as well as the three “sirens” men­tioned above.

Movie still: O Brother Where Art Thou?
Movie still: O Brother Where Art Thou?

George Clooney prac­ticed his singing for the film for weeks pri­or to film­ing.  In an inter­view, he recalled prac­tic­ing and said that it was assumed that he could sing, as he was the nephew of the great singer Rosemary Clooney.  However, once he got into the stu­dio, it was quick­ly deter­mined that Dan Tyminski would sing Clooney’s parts.  Clooney was born and raised in Kentucky, and to ensure that he got the Southern accent (which he had lost) right, he sent the script to his Uncle Jack in Kentucky.  Uncle Jack read all the lines and record­ed them on a tape recorder.  Clooney stat­ed in an inter­view, “I just did my Uncle Jack through the whole thing.”  He also stat­ed that the dance he per­formed in the film was inspired by the clog­gers he saw while grow­ing up in Kentucky.  In describ­ing the clog­gers, he said,  “...none of their upper body moves, their legs are going nuts.” 

The char­ac­ter Tommy Johnson spoke of sell­ing his soul to the dev­il to play the gui­tar well.  This is based on the sto­ry of famed blues musi­cian Robert Johnson, who report­ed­ly “sold his soul to the dev­il” at a cross­roads to ensure his tal­ent.  There is a cross­roads mon­u­ment ded­i­cat­ed to Johnson in Clarksdale, Mississippi, where the event is alleged to have occurred.  At the begin­ning of the film, we hear a chant from the chain gang, which was from an old record­ing of an actu­al chain gang.

The char­ac­ter of Mississippi Governor Pappy O’Daniel (Charles Durning) was actu­al­ly based on a real Governor from Texas (1939−1941) named W. Lee “Pappy” O’Daniel.  He made his mon­ey in the flour busi­ness and had a radio show with his music group, “The Light Crust Doughboys.”  He lat­er served in the U.S. Senate. 

O Brother, Where Art Thou? pre­miered at the Cannes Film Festival in May 2000.  It opened in the United States in September of that year.  It grossed near­ly $72 mil­lion and cost $26 mil­lion to pro­duce.  The sound­track, pro­duced by T‑Bone Burnett, was also very suc­cess­ful.  It sold over sev­en mil­lion copies in the U.S. and led to a con­cert tour fea­tur­ing musi­cians involved in the record­ing.  From that tour came a record­ing for TV as well as a CD and DVD.  It was called Down From The Mountain and includ­ed per­form­ers Ralph Stanley, John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Dan Tyminski, and others.

Movie still: O Brother Where Art Thou?
Movie still: O Brother Where Art Thou?

The crit­ic for Rolling Stone described the film as  “... a wild, whacked-out won­der.  Coenheads rejoice.”  The Washington Post crit­ic stat­ed “It’s a new new thing, clas­sic myth from both lit­er­a­ture and the movies, com­min­gled, set to great folk music, and untram­meled by any sense of pre­dictabil­i­ty, urgency, real­ism or believ­abil­i­ty but hyp­not­ic, grace­ful and seduc­tive.”  And, from The New York Times:  “A ram­bunc­tious and inspired ride in which the Coen broth­ers’ vora­cious fas­ci­na­tion with the arcana of American pop­u­lar cul­ture and their whiz-kid inven­tive­ness reach new heights of whim­sy.”  The TCM (Turner Classic Movies) review­er states “Despite the heavy-heart­ed title, their depres­sion road movie is light­heart­ed and whim­si­cal and filled with infec­tious music.  In Clooney, they found a star with the look of a thir­ties mat­inée idol and the snap­py deliv­ery of a sea­soned Hollywood comic.”

Roger Ebert, the crit­ic with the Chicago Sun-Times, was pos­i­tive though a lit­tle less glow­ing in his review:  “O Brother con­tains sequences that are won­der­ful in themselves—lovely short films—but the movie nev­er real­ly shapes itself into a whole.”

The music is inte­gral to the sto­ries being told.  A review of the sound­track from Allmusic Review states, “This sound­track is a pow­er­ful trib­ute not only to the time-hon­ored but com­mer­cial­ly ignored gen­res of blue­grass and moun­tain music but also to Burnett’s remark­able skills as a producer.” 

The Internet Movie Database gives O Brother, Where Art Thou? A score of 7.7 of 10.  On Rotten Tomatoes, it has a Critics Score of 78% and an Audience Score of 89%.

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In search­ing my Roku device I could find no free stream­ing sites but there is a copy of the DVD on the shelf at the Clark County Public Library. 

So I say to you, if you are hun­gry for some fun sto­ry-telling, adven­ture, laughs, and fan­tas­tic music, give this recipe a try and serve up some of O Brother, Where Art Thou?  No doubt here that fam­i­ly and friends will enjoy it.

Information for this Reel Classic review was gath­ered from Internet Movie Data Base (IMDb), Rotten Tomatoes, Turner Classic Movies (TCM) and Wikipedia.

If you enjoy these clas­sic movies, please join me on the sec­ond Tuesday of each month at 6:00 PM at the Clark County Public Library for “Ron Kibbey’s Comedy Classics.”  I present a clas­sic com­e­dy film, usu­al­ly accom­pa­nied by a vin­tage car­toon.  Popcorn and drinks are pro­vid­ed.  More infor­ma­tion about the next film is avail­able on the library’s web­site, Facebook page, and WinCity Voices Facebook page.

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