Reel Classics: ‘High Fidelity’

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Estimated time to read:

6–10 minutes

Today I would like to intro­duce you to Rob Gordon. Rob loves music and loves to com­pile “Top Five” lists of favorite albums, first cuts, etc. At night, he’s a DJ in a local dance club. He owns and oper­ates a record store in Chicago and is assist­ed by two quirky employ­ees, Dick and Barry, who share his pas­sion for music but don’t always see eye to eye on their tastes. 

The store, called Championship Vinyl, is not very suc­cess­ful. Part of this is due to Barry (Jack Black), who is not at all hes­i­tant to make fun of a customer’s taste in music or even to refuse to sell the record request­ed because he doesn’t like it. Dick (Todd Louiso) is more laid-back in demeanor, but also has a wealth of detailed infor­ma­tion about music. He loves Belle & Sebastian, and Barry hates them. Rob (John Cusack) tol­er­ates them even though they often dri­ve off cus­tomers. He ini­tial­ly hired them for three days a week, but they just show up every day.

We first meet Rob just after he breaks up with his live-in girl­friend of two years, Laura (Iben Hjejle). He is despon­dent, and the film opens with this com­ment to the view­ers:  “What came first:  the music or the mis­ery? People wor­ry about kids play­ing with guns or watch­ing vio­lent videos that some sort of cul­ture of vio­lence will take them over. Nobody wor­ries about kids lis­ten­ing to thou­sands, lit­er­al­ly thou­sands of songs about heart­break, rejec­tion, pain, mis­ery and loss. Did I lis­ten to pop music because I was mis­er­able? Or was I mis­er­able because I lis­tened to pop music?”

Thus begins Rob’s shar­ing with us his “Top Five” list of his most mem­o­rable breakups. He ini­tial­ly refus­es to put Laura on the list, though, as he tells us the sto­ry of each breakup, he acknowl­edges that she is at the top of the list. He begins with the sto­ry of Allison, his first kiss in mid­dle school. That rela­tion­ship last­ed a total of six hours for he lat­er found her kiss­ing anoth­er boy. His sec­ond on the list was Penny Hardwick (Joelle Carter), his high school sweet­heart. He end­ed up dump­ing her. He tells us that he learned some­thing about his own inse­cu­ri­ty. The third is Charlie Nicholson (Catherine Zeta-Jones), his most seri­ous rela­tion­ship. It was also a rela­tion­ship where he felt very inse­cure and out of his league. She dumped him. Number four is Sarah Kendrew (Lili Taylor), whom he got involved with after his breakup with Charlie. She dumped him as well. 

By this time, Rob real­izes that Laura is on this “Top Five” list and is at the top. He admits he still has feel­ings for Laura and is upset when he learns from his friend Liz (Joan Cusack) that Laura is involved with a for­mer neigh­bor of Rob’s, Ian Raymond (Tim Robbins). We fol­low Rob as he strug­gles with his feel­ings for Laura, his flir­ta­tions with a music crit­ic, and a one-night stand with a musi­cian. We wit­ness a con­ver­sa­tion he has in his head with Bruce Springsteen about mov­ing on. 

As the sto­ry pro­gress­es, we observe Rob’s and Laura’s strug­gles with their feel­ings for each oth­er. But we also wit­ness a blos­som­ing romance for the store clerk Dick with a young cus­tomer Anaugh (Sara Gilbert), and a blos­som­ing music career for the oth­er store clerk Barry. 

Movie still: 'High Fidelity'
Movie still: ‘High Fidelity’

High Fidelity fea­tures many well-known actors. In addi­tion to those already iden­ti­fied, it also includes Lisa Bonet as the musi­cian and one-night stand. Given that it is set in a record store, the sound­track is full of music. Over fifty songs appear in the film. The offi­cial sound­track was released and earned a Grammy nom­i­na­tion, fea­tur­ing a vari­ety of musi­cians includ­ing The Kinks, Bob Dylan, The Velvet Underground, Elvis Costello, Stevie Wonder and Jack Black.

The film was based on a 1995 nov­el of the same name writ­ten by Nick Hornby. The sto­ry was ini­tial­ly set in London, but Cusack and his co-pro­duc­er­s/writ­ers D.V. DeVincentis and Steve Pink wrote the screen­play and moved the set­ting to Chicago. They report­ed­ly did so because they were much more famil­iar with the Chicago set­tings. Cusack stat­ed, “When I read the book I knew where every­thing was in Chicago. I knew where the American Rob went to school and dropped out, where he used to spin records. I knew two or three dif­fer­ent record shops when I was grow­ing up that had a Rob, a Dick, and a Barry in them.” 

Cusack was ini­tial­ly hes­i­tant to have Rob talk­ing direct­ly to the audi­ence, but was con­vinced by direc­tor Stephen Frears to go with that approach. We find him turn­ing and speak­ing direct­ly to us when at a din­ner table or even lying in bed. The tech­nique draws us much clos­er to the char­ac­ter. And, it was John Cusack who got Bruce Springsteen to appear in the film. In the nov­el, there is a ref­er­ence to Springsteen’s song “Bobby Jean” from Born in the U.S.A. The nar­ra­tor talks about how he wish­es he could han­dle his ex-girl­friend the way Springsteen does in his song. Cusack knew Springsteen and got him to agree to appear in the scene where he talks of mov­ing on.

High Fidelity was well received by crit­ics and at the box office. The crit­ic for The New York Times wrote that Jon Cusack was “a mas­ter at pro­ject­ing easy­go­ing cama­raderie, he nav­i­gates the tran­si­tions with such an aston­ish­ing nat­u­ral­ness and flu­en­cy that you’re almost unaware of them.”   Jack Black’s per­for­mance was praised in a review in the Washington Post, describ­ing him as a bun­dle of ver­bal­ly fero­cious ener­gy. Frankly, when­ev­er he’s in the scene, he shoplifts this movie from Cusack.”  Rolling Stone’s crit­ic wrote, “It hits all the laugh bases, from grins to guffaws.” 

Roger Ebert’s review gave the film four of four stars and, in my opin­ion, describes the film per­fect­ly:  “In its unforced, whim­si­cal, quirky, obses­sive way, High Fidelity is a com­e­dy about real peo­ple in real lives....Watching High Fidelity, I had the feel­ing I could walk out of the the­ater and meet the same peo­ple on the street—and want to, which is an even high­er compliment.”

Movie still: 'High Fidelity'
Movie still: ‘High Fidelity’

The crit­ics’ con­sen­sus at Rotten Tomatoes states, “The deft hand of direc­tor Stephen Frears and strong per­for­mances by the ensem­ble cast com­bine to tell an enter­tain­ing sto­ry with a rock-sol­id sound­track.” Rotten Tomatoes ranks the film at #14 on their list of Top 25 Best Romantic Comedies. 

John and Joan Cusack were broth­er and sis­ter, and their dad, Dick Cusack, appears in the film as the min­is­ter at Laura’s dad’s funer­al. Jack Black and Joan Cusack would appear togeth­er in anoth­er mem­o­rable music-focused film from 2003, School of Rock. As men­tioned above, Lisa Bonet played the part of Marie, the musi­cian that Rob got involved with. Her daugh­ter, Zoe Kravitz, played Rob in the 2020 Hulu series High Fidelity. The sto­ry­line fol­lows a sim­i­lar line from the nov­el and movie, but switch­es the role of Rob to a female. It ran for only one sea­son but is still avail­able on Hulu.

Though the film had over fifty songs, the sound­track con­sists of fif­teen selec­tions. To quote the review from the Allmusic site: “It’s a fine, com­ple­men­tary batch of tunes that not only enhances the film’s mood but is inte­grat­ed to its theme, and, as High Fidelity’s Rob Gordon would agree, it’ll go down as one of the top five sound­tracks released in 2000.”

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Movie still: 'High Fidelity'
Movie still: ‘High Fidelity’

The Internet Movie Database (IMDB) rates High Fidelity at 7.4 of 10. Rotten Tomatoes gives it a Critics Score of 91% and an Audience Score of 90%. I could find no free stream­ing sites avail­able, but a copy of the DVD is avail­able at the Clark County Public Library. The library also has a copy of the nov­el on the shelf. 

I’ll con­clude with an obser­va­tion about Rob from Roger Ebert:  “Rob is the movie’s nar­ra­tor, guid­ing us through his world, talk­ing direct­ly to the cam­era, solil­o­quiz­ing on his plight—which is that he seems unable to con­nect per­ma­nent­ly with a girl, maybe because his atten­tion is else­where. But on what? He isn’t obsessed with his busi­ness, he isn’t as crazy about music as Dick and Barry, and he isn’t think­ing about his next girl—he’s usu­al­ly mop­ing about the last one. He seems stuck in the role of reject­ed lover and nev­er likes a girl quite as much when she’s with him as after she’s left.”

So, what will come of Rob? Give High Fidelity a watch and you’ll find out.

Information for this Reel Classic review was gath­ered from Internet Movie Database (IMDB), Rotten Tomatoes, Turner Classic Movies (TCM), and Wikipedia.

If you enjoy these clas­sic movies, please join me on the sec­ond Tuesday of each month at 6 PM at the Clark County Public Library for “Ron Kibbey’s Comedy Classics,” where I present a clas­sic com­e­dy film, usu­al­ly accom­pa­nied by a vin­tage car­toon. Popcorn and drinks are pro­vid­ed. More infor­ma­tion about the next movie is avail­able on the library’s web­site and Facebook page, as well as the WinCity Voices Facebook page.

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