Remembering the Barn Dinner Theatre

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Estimated time to read:

3–5 minutes

Though it closed after less than a decade, the Barn Dinner Theatre on Venable Road enjoyed incred­i­ble suc­cess in its ear­ly years.  The con­cept of a gourmet din­ner and a Broadway show for one low price caught on in the 1960s.  It was the brain­child of Howard D. Wolfe and Conley Jones who opened their first din­ner the­ater in 1961 in Richmond, Virginia.  The Barn Dinner Theatre fran­chise even­tu­al­ly grew to twen­ty-sev­en theaters. 

Each the­ater fea­tured Wolfe’s barn design and farm-themed dec­o­ra­tions.  The plays employed a the­ater-in-the-round con­cept with tiered seat­ing that pro­vid­ed all patrons with a good view of the stage.  Another Wolfe inno­va­tion was what he called the “Magic Stage.”  Plays were per­formed on a plat­form low­ered from the ceil­ing on cables.  The stage could then be raised back to the ceil­ing to set up the next scene, a process that took less than a minute.

Wolfe had a stu­dio in New York City where all his pro­duc­tions were staged with a select cast of actors.  The plays were then sent out to one of the the­aters, where they per­formed for four weeks before mov­ing on to the next the­ater.  Actors board­ed in rooms above the the­ater.  It was typ­i­cal for actors to wait tables for tips before performances.

Winchester had the first Barn Dinner Theatre in Kentucky.  It was locat­ed to serve the Lexington area and sur­round­ing com­mu­ni­ties.  The owners—local men Dr. Robert Brashear, Arnold W. Zopfi Jr. and Scott Talbott—incorporated as the Blue Grass Corporation and acquired ten acres on Venable Road for the the­ater.  Groundbreaking took place in March 1968.  A mere five months lat­er, an audi­ence of some 350 turned out for open­ing night.

Logo for the Barn Dinner Theatre from Boo Baldwin’s playbill collection.
Logo for the Barn Dinner Theatre from Boo Baldwin’s play­bill collection.

According to Bob Tabor, the din­ner the­ater required sev­er­al things for suc­cess.  “If Neil Simon didn’t write it or they didn’t sing it, they couldn’t sell it.”  That for­mu­la was fol­lowed in ear­ly per­for­mances.  The the­ater opened with a musi­cal, “The Boy Friend,” for its first play.  They fol­lowed that with “Barefoot in the Park,” a Neil Simon com­e­dy.  Bob recalled that one of the actors who per­formed here attained lat­er suc­cess:  Mark La Mura (1948−2017) starred in the tele­vi­sion soap opera “All My Children,” play­ing Mark Dalton for eleven years.

The price for din­ner and a show was five dollars—a bar­gain for a night of enter­tain­ment.  Thirteen dif­fer­ent plays were per­formed each year.  Dinner was at 7 p.m. and cur­tain time at 8:30.  They did not serve alco­hol but had a bring-your-own-bot­tle pol­i­cy typ­i­cal of the times.  The the­ater enjoyed good atten­dance, espe­cial­ly from Lexington.  Actors were often inter­viewed by Lexington tele­vi­sion per­son­al­i­ties, Sue Wylie and June Rollins, and new plays usu­al­ly mer­it­ed a review in the Winchester Sun

Following their suc­cess in Winchester, the Blue Grass Corporation (Dr. Blanton and Arnold Zopfi) opened anoth­er the­ater in Louisville.  Unfortunately, in the ear­ly sev­en­ties, atten­dance began to fall and the the­aters had trou­ble meet­ing oblig­a­tions.  The first blow came from a law­suit for $100,000 filed by the par­ent com­pa­ny in Virginia for fail­ure to pay royalties.

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In 1974, in an effort to increase rev­enues, the cor­po­ra­tion applied for a beer and liquor license.  The prob­lems con­tin­ued, how­ev­er.  While Friday and Saturday nights saw good atten­dance, week­day num­bers fell off.  More law­suits fol­lowed from food ven­dors who had not been paid.

The playbill for Fiddler on the Roof from Boo Baldwin’s collection.
The play­bill for Fiddler on the Roof from Boo Baldwin’s collection.

The Winchester the­ater final­ly gave up the ghost in 1976.  The last pro­duc­tion, “Not With My Daughter,” closed that May.  The own­ers sold the prop­er­ty to Charlie Brown’s of Winchester, an off­shoot of the well-known Lexington estab­lish­ment.  After exten­sive remod­el­ing, the bar and restau­rant opened in October 1977, only to be destroyed by fire the fol­low­ing January.

I inter­viewed Bob Baldwin for this sto­ry.  He thought the liquor license might have led to the down­fall of the the­ater here.  Under the BYOB pol­i­cy, patrons could enjoy a cheap meal and play accom­pa­nied by their own sup­ply of liquor.  The the­ater even sup­plied the mix­ers.  When bar sales began, no out­side bev­er­ages could be brought in.  Customers fond of their liba­tions saw the cost of a night’s enter­tain­ment shoot up.

The 1970s was the hey­day of din­ner the­aters around the coun­try.  The num­bers peaked at 147 in 1976.  Those num­bers have been reduced to sin­gle dig­its today.  One of those still around is The Barn in Greensboro, North Carolina, one of the orig­i­nal Barn Dinner Theatres.  Many rea­sons have been offered for the decline.  The union­iza­tion of the­ater com­pa­nies for one, and the dif­fi­cul­ty of suc­cess­ful­ly man­ag­ing a the­ater, restau­rant and bar for anoth­er.  Another fac­tor was the tremen­dous growth in oth­er forms of enter­tain­ment.  Whatever the rea­son, we can say “It was great while it lasted.”

Thanks to Bob Tabor, a for­mer Barn Dinner Theatre employ­ee, for help with arti­cle.  And the same to Bob Baldwin; Bob and his wife Boo saw almost every per­for­mance at the theater.

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